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・ Francesco D'Aniello
・ Francesco d'Aquino, Prince of Caramanico
・ Francesco D'Auria
・ Francesco d'Este
・ Francesco d'Este (1516-1578)
・ Francesco D'Isa
・ Francesco D'Macho
・ Francesco da Castello
・ Francesco da Cotignola
・ Francesco Buzzurro
・ Francesco Cabras
・ Francesco Caccianemici
・ Francesco Caccianiga
・ Francesco Caetani, 8th Duke of Sermoneta
・ Francesco Cafiso
Francesco Cairo
・ Francesco Calcagno
・ Francesco Cali (disambiguation)
・ Francesco Calogero
・ Francesco Calì
・ Francesco Camaldo
・ Francesco Cameli
・ Francesco Camero Medici
・ Francesco Camilliani
・ Francesco Campora
・ Francesco Camporesi
・ Francesco Camusso
・ Francesco Canali
・ Francesco Canaveri
・ Francesco Cancellieri


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Francesco Cairo : ウィキペディア英語版
Francesco Cairo

Francesco Cairo (26 September 1607 – 27 July 1665) was an Italian Baroque painter active in Lombardy and Piedmont.
==Biography==
He was born and died in Milan. It is not known where he obtained his early training though he is strongly influenced by the circle of il Morazzone, in works such as the ''Saint Teresa'' altarpiece in the Certosa di Pavia.
In 1633, Cairo moved to Turin to work as a court painter, including portraits, to Vittorio Amedeo I of the House of Savoy. Between 1637–1638, Cairo travelled to Rome, where he encounters the works of Pietro da Cortona, Guido Reni and of the Caravaggisti. He returns to Lombardy to complete altarpieces for the Certosa of Pavia and a church at Casalpusterlengo. He painted a ''St. Theresa'' for San Carlo in Venice. Between 1646–1649, he returns to Turin, and paints an altarpiece for Savigliano and the church of San Salvario. He is also known as ''Il Cavalière del Cairo'', because in Turin, he received the Order of Saints Maurice and Lazarus in recognition of his merit.
Many of his works are eccentric depictions of religious ecstasies; the saints appear liquefied and contorted by piety. He often caps them with exuberant, oriental turbans. He is sometimes compared with his Milanese contemporary, Carlo Francesco Nuvolone, also called ''il Panfilo''. Ludovico Antonio David, Giulio Coralli, and Pietro Scalvini were among his pupils.

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